Wednesday, September 26, 2012

SHE ONCE BELIEVED IN HAPPY ENDINGS


Once a stone has been dropped
into the depths of a green and living pond,
it cannot be recalled, the action cannot be undone;
it has become a part of that green continuum.
Reality has been changed,
altered, rearranged.

I met him in the eighth grade.
He took LSD on the weekends and was already
a guitar virtuoso. 
He loved the early Yardbirds, jazz and blues. 
He taught me how to jam.
He once fired me from a junior high band

but he was always kind. 
Years later a storm blew in.
Voices roared in his head.
He wanted to banish them to the darkness.
But how could he win
against such a big wind? 

Where could he begin?
Wishes changed nothing.
So he taped his ID 
to his wrist and put a gun
to his head
and squeezed the trigger until he was dead.

Each night his mother longs to dream of her only son,
before the voices and the gun.
She once believed in happy endings 
but no more,
not without her son, 
not in a world undone.


*Note: While the poem above was written some years after learning of the death of my childhood friend in 2004, the one below was written shortly after hearing the tragic news. My old friend struggled with both addiction and a mood disorder. I played rhythm guitar for him in eighth and ninth grade and in exchange he taught me how to play lead guitar and bass; he played with breathtaking virtuosity. He went on to become one of the finest jazz bass players in the Twin Cities.  Sadly I lost touch with him after I left Minnesota in the mid seventies and was never able to carry "the message" of recovery to him; that regret echoes in the lines below. What a loss...


This track is embedded with the friendly permission by the creatives on wikiloops.com.

In my mind, I hear your voice
telling me that you had no choice.
That there was nothing left to do.
That your world had gone from black to blue.

Do you have nothing left to hide,
there on the other side?
No more secrets, no more lies,
no more need for alibis?

Was there nothing I could say
to make you want to stay?
Did you really have to go?
That's what I want to know.


Andy Warhol made movies of folks doing nothing. George Costanza, in the comedy “Seinfeld”, tried to persuade NBC to make a TV show about nothing. As much as I like “Seinfeld” and Andy Warhol, this journal won’t be about nothing. I won’t try to make something out of nothing. I will try to focus on the turning points, the moments of heartbreak and high drama (at least as they seemed to me). Not that I won’t engage in some navel gazing but I will attempt to cut away the rind, and get to the juice. Many things will be left out. In no way will this journal be an all inclusive representation of the events in my life. It will be more of a series of vignettes, incidents, stories and poems. Memory is a funny thing. It is not an event in itself but the fragmentary replication of an event, made of fleeting impressions, feelings and images. It cannot be weighed or measured. It is dependent on us, on our brains, on human consciousness. In the end, memory is a kind of fiction, an illusion, a magician’s trick, where the past is revived and pulled out of a hat.
On French TV, I once saw an interview with an American actor who used the expression “12 step program” instead of AA to protect his anonymity. In subtitles this was translated as Alcoholics Anonymous. The American actor did not break his anonymity, the translator did. While I will refrain from using last names (including my own), those referenced may recognize themselves. They may be wrong, or not. So be it. Of course, as the details of my life emerge in these pages the possibility of who I really am will become narrower. Then again, I may be making all of this story up or at least parts of it. Half remembered conversations certainly will become fictionalized. One cannot experience an event like God and see and remember all things. What happened decades ago flashes back to us in an instant, but it is not reality. Reality is long gone. Maybe the past is out there somewhere in an alternative universe, but access to it is uncertain. It seems to be locked away in a house with very few windows (where we can peer in and glimpse its inner secrets). It is in the realm of ghosts, the realm of dreams; it is in a far off country that one only hears rumors about (and no one really knows if any of those stories are true); it is in another world.
Folks whose names I have forgotten will be given new names; in more than a few cases, I will intentionally change even the first names of those who were once close to me.
We miss much of what goes on around us. In writing this, things may become clearer to me. I may discover things that have been buried, repressed, forgotten. So we will take this journey together. We will see what we can see.
                   .________________________________________



1971 was the best year of my life. My dad got sober. I turned fourteen. I had my first wet dream. I found love. It was also the year, I discovered drugs. We moved into a new house: a big two story with a fireplace and a rec room with shag carpet in the basement (where I could play my electric guitar and listen to records). It became my studio apartment and later band rehearsal space. I was in heaven. Even so, I had a lot of strong feelings for the old house. In the winter, I could ski from my backyard to a park that had a tow rope and ski hill, or I could walk up the block to a skating rink and play hockey. In summer, I played endless innings of baseball in the neighborhood. I played football in the fall. While I had many great experiences in the old house and neighborhood, the new house promised something new, something different, and it delivered. While the new house was on the fringes of the Minneapolis suburb of New HopeNew Hope was, both figuratively and literally, just on the other side of the road.
I would change schools. (Later I would attend high school with the same kids from my old junior high and grade school.)The new house was just a mile away from the old house down Medicine Lake Road (where my father once crashed and rolled a car while drunk). But that was while living in the old house, that other life, before my dad found permanent sobriety (over forty years).
The years before that grand event were both magical and traumatic. If not my for my dad’s drinking, my life would have been perfect, idyllic. Even so I had a lot of fun. In the fall, my father would take me deer and pheasant hunting. Since my dad’s drinking was periodic, when sober I could not have hoped for a more tender and loving father. During vacations, I would go fishing with my grandfather (my mother’s step-father) in southern Minnesota. A one time big band leader, my grandfather played saxophone and owned an organ and electric guitar. He loved Ray Charles, Hank Williams. He always reminded me of an old bluesman; he had black kinky hair (he was Black Irish). He championed my interest in learning how to play guitar.
The move to the new house meant that I would have to give up my morning paper route. In winter, I would have to get up before five (on my bike in summer the route took less than thirty minutes; when there was snow and ice, it took over an hour). In many ways, I enjoyed my morning paper route. In the late night hours the world is mysterious, full of long shadows, most everyone is asleep (except for paper boys and insomniacs and those up to no good). One morning, I saw the shadow of a man digging a hole in his front yard. I imagined the worst. The move took place in January, so there would be no more delivering papers in the cold, subzero dark. It was soon replaced with an evening paper route in the new neighborhood.
On my route, I often would listen to music from my transistor radio with an ear piece, privately, so as not to wake anyone up. Late one night, while in bed at home, I heard the news through that tiny ear piece that RFK had been assassinated at the Ambassador Hotel in Los Angeles(that too was a traumatic memory from the old house).

* * * *

 On my first day of the ninth grade, I arrived at the bus stop early. Johnny O soon joined me at the bus stop. We did not know each other well but over the next few years we would become close friends. Johnny was a year younger than me and had recently formed a band with my old pal Roger on bass. Johnny was the front man, the guitarist and singer. He was small, good looking—he had that whole David Cassidy, Mick Jagger thing going for him. With my long wavy, blonde hair, I looked pretty good myself (earlier that summer I had gotten chubby but I dieted on Fresca and yogurt and with the help of a major growth spurt; I was once again a contender for the girls’ hearts). I was dressed in my new schools clothes, a lavender shirt, corduroy bell bottoms and boots. (Soon there would be no division between school clothes and play clothes; I would wear blue jeans and whatever shirts my mother had laundered that week.)
The ninth grade would be wild. While I wouldn’t become a total stoner (that would come later), I would dabble with drugs whenever I had the chance. I would find the girl of my dreams and then lose her. I would then be asked to join Johnny and Roger’s band (the best junior high band in the Twin Cities) and then be asked to leave. The thing about good fortune, about good luck, is that there always the chance of a reversal of that good fortune, of that glittering prize being stolen or lost. But a loss (and in particular a loss in love) can bear its own kind of fruit, its own kind of wisdom, bittersweet and dark. This dark night of the soul can change us, transform us, if we let it.  After all, it brought us the cantos of Dante after the death of Beatrice, and a whole world, no a whole universe, constellations, of poetry and song.

*  *  *  *  *

                   
There was a pond behind my house, and beyond that another pond and a large field and creek. In winter, the ponds would freeze and everything would turn white. In a few months (that coming spring) Roger and Johnny O would name the field Peachland (after the cover art from the album “Eat a Peach” by the Allman Brothers). As long as I can remember I loved Christmas vacations and this one was turning out to be the best yet. Dressed in my father’s old Air Force overcoat, I trudged through the snow. I pulled out a corn cob pipe and filled the bowl from a dime bag of marijuana (mind you, this was nineteen seventy one; I’m sure prices have changed).
I lit the bowl and took a puff. My eyes turned upward and I began to ascend into the clouds (in that Air Force overcoat, I was a pilot alright). This is what I had been looking for, I thought, total bliss.  But I could not just stay up there in the clouds, I had a mission. I had bought a gold locket for my girlfriend, Laura, as a Christmas gift. Inside the locket, I placed a picture of myself from my Canadian fishing trip, one that I had cut out from a group photo—all that remained was a kind of head shot, and really all that could be seen was my hair shining in the sun.
Laura had an identical twin, Lisa. In the beginning, I could not tell them apart. But that soon changed. To me, they were just sisters—as different as sisters can be. Not that they weren’t close, there was a bond between them. But their personalities were their own. They shared the same interests and history but there was a difference in vision and attitude and there certainly was a difference in how I felt about them (I had no romantic feelings for Lisa and she had none for me).
The twins would often accompany me on my paper route. My customers did not consider that I was a long haired stoner, opening their doors and invading their space. They thought I was a girl (my sister, Anne, often collected for me). I would correct them when they would call out to a spouse: “the paper girl is here.” During this time, I grew as tall as my mother (five foot four) and then to my father’s height (five foot seven). Soon I would tower over both of them and I would no longer be mistaken for a girl no matter how long my hair was.
I first noticed Laura the spring before when I saw her and Lisa out smoking cigarettes in Peachland. They waved at me, I shouted back but nothing came of it. Later we hooked up and made out at a party at Boone’s farm. (I call it that after the two bottles of cheap wine I drank before I arrived. Still it really was a farm.) Johnny and Roger’s band played that night. Roger asked if I wanted to play Johnny’s cherry Gibson ES335. I tried to play but I was too drunk. (Roger insisted that I was a good player). But Johnny was not impressed.
Laura and Lisa lived close by, just across the field and up the block, ten minutes by foot. (Later, after the break up, it was if Laura lived on another planet, she seemed so far away. That distance, that feeling of emptiness, lingered in my soul for a long time.)
After I arrived at Laura’s house, I pulled the gift box from my pocket and gave it to Laura as Lisa and her mother looked on, smiling, touched.
“But I haven’t got you anything.” Laura said.
“That’s alright,” I said.
“I will get you something.”
She did get me something, a watch, but the gift I wanted, I already had, Laura. Such an intelligent and tender girl, a true paradox, wild yet innocent, and like Roger sadly prolific in her use of drugs, including LSD.



*  *  *  *  *





Friday, September 14, 2012

PEACHES & MY OLD TROMBONE





She gave me peaches for dinner but she didn't say why.
She gave me peaches for dinner but she didn't say why.
She packed a bag and then she said goodbye.

She handed me my old trombone
She handed me my old trombone
She said you can play this when you're all alone

I see her face wherever I roam
I see her face wherever I roam
I've been wandering long without a home

She gave me peaches for dinner but didn't say why.
She gave me peaches for dinner but didn't say why.
She packed a bag and then she said goodbye.

She handed me my old trombone
She handed me my old trombone
She said you can play this when you're all alone


Tuesday, September 11, 2012

WHY I WORE THE BLACK ARMBAND IN PROTEST OF THE WAR IN VIETNAM

In seventh grade (I was 12), I went to school wearing a black armband in protest of the war in Vietnam. My young social studies teacher (a recent University of Minnesota graduate) had been accused of influencing me. Her job was on the line. Later in class, she asked me why I wore the black armband. I knew why. I had an answer. I was thinking of all the young men, who were just a few years older than me, who were needlessly dying overseas. I was also aware of the Vietnamese children (just my age) who were being incinerated by American weapons of war. But before I could answer her, she spoke up and accused me of wearing the armband as a fashion statement (this answer, of course, would get her off the hook; she couldn't be responsible for a student's way of dress; the sixties were a wild time). I was humiliated and shamed by her answer and never voiced my own true sentiments. In my anti-war poems (many of them posted on this blog), I hope to make amends for that silence.

*Note: in fairness to the school (Carl Sandburg Junior High), no one ever asked me to remove the black armband or to go home. I wore the black armband the entire day.

ON THIS DAY    15 October      Graphics version >>   BBC News >>

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1969: Millions march in US Vietnam Moratorium

Americans have taken part in peace initiatives across the United States to protest against the continuing war in Vietnam.
The Peace Moratorium is believed to have been the largest demonstration in US history with an estimated two million people involved.
In towns and cities throughout the US, students, working men and women, school children, the young and the old, took part in religious services, school seminars, street rallies and meetings.
Supporters of the Vietnam Moratorium wore black armbands to signify their dissent and paid tribute to American personnel killed in the war since 1961.
The focal point was the capital, Washington DC, where more than 40 different activities were planned and about 250,000 demonstrators gathered to make their voices heard.

"I do believe this nation is in danger of committing itself to goals and personalities that guarantee the war's continuance."


Senator Edward Kennedy 
Some peace demonstrators gathered on the Capitol steps last night singing songs and holding a candlelit vigil until rallies began in the morning.
Addressing a rally in Washington, Dr Benjamin Spock, the child care expert, said the war was a "total abomination" that was crippling America and must be stopped.
Outside the White House, there were scuffles and several arrests made when police clamped down on black activists.
In Portland, Oregon, 400 protesters clashed with police after an attempt to prevent conscripts entering an army induction centre.
Administration supporters have been critical of the moratorium. General Wheeler, chairman of the Joint Chiefs of Staff called protesters "interminably vocal youngsters, strangers alike to soap and reason".
In a letter to President Richard Nixon, 15 Republican Congressmen have called for an intensification of the campaign.
Supporters of the war made their views known, too.
In New York, where the mayor, John Lindsay, had ordered the US flag to be flown at half-mast for the day, police officers and fire fighters drove with their headlights on in protest at the moratorium day as did many ordinary American citizens.
Some offiicials wore badges that read: "USA - Unity and Service for America".
But Senator Edward Kennedy, a vocal anti-war campaigner, called for combat troops to be withdrawn from Vietnam by October next year and all forces by the end of 1972.
Speaking in Boston, Senator Kennedy was careful not to accuse the president of perpetuating the war.
"I do not believe that President Nixon is committed to continuing the war in Vietnam, but I do believe this nation is in danger of committing itself to goals and personalities that guarantee the war's continuance."
President Nixon continued to work from the White House without comment, as thousands marched around him.
Peace activists congregated outside US embassies across Europe. In London a crowd of some 300 people demonstrated opposite the US Embassy in Grosvenor Square.
In Context
American combat troops had been fighting the Communist Viet Cong in Vietnam since 1965.
Some 45,000 Americans had already been killed by the end of 1969. Almost half a million US men and women were deployed in the conflict, and opposition to the war was growing.
The Moratorium for the first time brought out America's middle class and middle-aged voters, in large numbers. Other demonstrations followed in its wake.
Nixon had already established a gradual programme of withdrawal of US forces, but the war continued, supported by his "silent majority" of voters.
After an established ceasefire in 1973, US deployment in Vietnam ended. Saigon eventually capitulated to the Communist forces on 30 April 1975.

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Marchers hold up placard reading 'Silent Majority for Peace'
Millions marched against the Vietnam War outside the White House




Monday, September 3, 2012

WITH A WAVE OF THEIR HANDS

My friends have all taken off their gas masks
as they welcome the dead with a wave of their hands.

While far above them, the vapor trail of a jet
dissipates across a blue sky, and it occurs to me

that they can send letters anywhere now, without stamps
or a postmark, their thoughts transmitted on air.